Off his Face

day gentle reader, 

Finally, the dread rewrite of Book 2: The Face of the Goddess  is done … well almost, now it needs a good edit. That's the trouble with a rewrite - it’s really a new draft, the 4th for this book.  As posted earlier, the cumulative word cut I did at the start left me lost for words: 60,000 of them. The rewrite added a few words, quite a few, but not enough, which in and of itself created more problems. 

Face took 10 years to write 2001 (2000-2010), during which the original start slipped to chapter 29.  Chapters 1-28 were the first, deepest cut. The new starting point is the old starting point, with a major rework of the new chapter 1. From there story proceeds as a reader might expect towards the climax predicted in the opening, except it now reaches that point too soon, and leaves the novel too short for a good read. 

 As also mooted in my last post I had the rethink I had to have. 

The ending had to change, so I gave the original climax a twist. (much like killing a hero expected to live.) I had to rewrite everything after that, and make a couple of tweaks leading into it, which made the rewrite longer, (over the allocated year) The extended finale allowed me to further clarify aspects of my imagined world, and set the storyline up for what I know is coming in the already written Book 3: The Arch of Restoration. The new climatic ending brought Face back over 180,000, in line with Break and Arch. 

All good so far? Well no. This rewrite, 25-15 years, and a couple of million words after the first draft amply demonstrate, I write differently now, (better I believe :>) But that concerns me. Given today's preoccupation with AI, some might attribute style differences to artificial enhancements.

I'm now in a quandary whether to edit Bk 2 Face or Bk 3 Arch. I’m tempted to move on to the final book, (which means I will), however the wholesale changes to the storyline made after the original climax, may turn what should have been a simple edit, into another massive rewrite.

 I’m about to find out.

ooroo until my next post, Rob

PS - I often question why I want to write (which is easy), because to get published  the edit/rewrite process (which is hard) is unavoidable, and reminds me of this quote.

"If you want to write fiction, the best thing you can do is take two aspirins, lie down in a dark room, and wait for the feeling to pass." ~ Lawrence Block

 

 

 

    

 

What the story needs

G'day dear reader

I'm back on target, 18,500 words done or about a tenth of my target  in only four weeks. If I can keep up the pace I will finish the first draft earlier than expected (in about 9 months).

As can be seen I'm half way through ch4, which like ch3 is looking for a title. I have a penchant for one word chapter titles something that reflects the general thrust, which is curious because as can also be seen  I generally write three scenes per chapter each from a different point-of-view (POV). This often makes it hard to to find a common theme. If I had to give a reason why I do this I would say the chapter titles give a rough guide to where I am in the overall story, making it easier to back-fill  or edit past events so they flow seamlessly into the present.

For example:  Chapter 2 has changed from "Campaign" to "Leaders"  The original referred only to Hyatt's goal of taking over the world. I had not yet written Rowena's scene where she asserts herself over her companions (including her parents). So 'Leaders' better reflects the chapter as a whole;  my two major characters,  antagonist Hyatt and protagonist Rowena,  (incidentally half siblings) being shown to be leaders.

I write in Word on a PC running Vista making extensive use of outlining  - Chapters styled as "Heading 1", P'sOV as "Heading 2" and scene-lets (groups of  paragraphs) as "Heading 3" again for reason of tracking the plot/storyline.  The styling (colour and size) is my own and the headings are set not to print when I print a chapter to take along to read at my writers group

The POV character Ashford  is the renamed Lee (reasons in previous post) who turned from enemy to friend. Why? "It seemed like a good idea at the time".  I make this up as I go along.

Also from the outline you can also see I currently have five (5) POV Characters: Ashford, Jorgena, Rowena, Hyatt and Sarah. I don't count Hedley because his POV is only in the prologue. Five is a lot to handle and give distinct voices to.  (I had three in book I rising briefly to five 5 midway, dropping two and bringing them back at the end of book II - whatever suited.) 

What the story needs the story gets.

I'm still not comfortable with so many P'sOV but I feel the story needs it so I just have to grin and write it besides when I started writing (with intent to be published) I wasn't comfortable with anything I produced: description, dialogue, POV,  naming, grammar or punctuation.

In my experience writing is learned by writing. Learning only stops when the writing stops.

Ooroo for now

The Writing Comes First

G'day dear reader,

       My time, thought and energy is divided equally among the three things I most value in life, my relationship with my wife, my health and my writing. My health took top billing recently (to be the subject of my other blog - if time permits)  and put a dent in the writing, the real writing, the novel; blogging is a luxury.

My self-imposed target was to  finish book 3: Arch, a 180,000 novel,  in one year. That's 3500 words a week.  two weeks ago I spent 3 days in hospital and though I wrote on my laptop,  I end up 1100 words short that week - no time to blog the process.  Last week - catch-up - I'm now 200 words short of  where I should be over all,  now I can blog it.

So where am I, 12,000 words into Arch and all over the place. 

keeping track

Chapter one - done.  Half of the prologue and  a third of chapter 3 and  I'm working on chapter 2.  It should be obvious that the numbers at the end are the chapter's word count - I aim for around 5000 words per chapter - it suits my modus operandi.

The part of chapter three that got done was  because a scene involving POV character (Hyatt - a villain in the sense that he opposes the aims of heroine Rowena) got way too long and was split.

The Jorgena of chapter one is the mother, lover, mother-in-law or grandmother of almost all the important characters (nothing like keeping it in the family)  At the start of Break, she is a mysterious figure but never with a  POV, she almost disappears in Face but will play a pivotal role in Arch; time she spoke up for herself.

Lee (now Lee Proctor and upgraded from acolyte to Server) who I introduced as a  villain to kick off Arch is changing sides.

The process is difficult to describe. I was writing Lee's second scene where he reports to his superior  and was looking for a nifty ending.  A sudden thought had me hitching him to one of  Jorgena's twin daughters who have also been waiting since Break to play a part. Jorgena in chapter 1 mentioned them as traveling so I put them in Lee's home town.

 I had no idea I would do this until it was done.  This is what I mean by a difficult to describe process - as Forrest Gump would say - it happens.  It happens as I write it, arising spontaneously from a restless mind in tune with the created world  and its characters - I think? 

However the twins are Sarah and Lisa and I paired him with Sarah. So now I have a couple called Sarah and Lee which is no better than Lisa and Lee (I did Roden and Rowena in Face, another same first letter double act  is one too many)  Methinks Lee needs a new first name - principle of  last on first off.

I have also give Sarah a POV (I have in my sketchy overall plan a sacrificial role for one of the twins - which is as yet undecided).

Who knows what will have happened by my next blog?  I don't - yet.

Ooroo

And so begins Book 3 in theTrilogy

g'day dear reader

The six words below are the culmination of 10 years work ( on and off - in reality, a fair bit off ) That, I would suggest, is part of the writing life - the life part goes on whether you write or not.

Needless to say I went out an celebrated last night and began thinking about how to start book three.

A digression  on working practice and targets.  I work from home as a part time contract web developer. My time is is mine to allocate, so I write in the mornings and, when there is work, develop in the afternoons. I write 6 days a week and have Sunday's off provided I reach my target word count.

My intention for Book 3 (given that it will be about 180,000 words and that I wish to finish in 1 year rather than 10) is to write an average of 500 words a day for 360 days of the year - about 3500 words week ( 6 days of 600 words )  Below is part of the simple spreadsheet I keep to track my progress.

This is the last two weeks i.e. weeks 32 and 33 of 2010, the green figure next to the week,  is the number of words in excess of my target  (only 1700 words a week post recovery - I'm about to double it)  Under target would be highlighted red.  Next is the daily word count and piece worked on. The words of this blog will slot into the empty hole for Saturday,  21 august 2010.   The highlighted day is the three month anniversary of my kidney transplant - this is the life part that often interrupts the intention to write - hospital visits blood test tissue samples etc - and nothing written. 

And so book 3 begins....

Like the previous volumes book 3 ( Arch / The arch of Restoration )  will be divided into two parts. I have specific climatic events planned for each, and a specific end goal but the journey, the actually events and the characters we will meet along the way are as yet a mystery. My biggest problem at the moment is how to start,  much the same problem I had finishing book 2 - in my mind the story line is continuous and yet conventional wisdom and common sense says each volume should stand alone.

Which means book 3 needs a hook and storyline that points to goal but that does not rely on the events in the preceding volumes. What I've decided to do is worry about it later. My need to write to myself imposed deadline/target is paramount and I have plenty to be going on with. What this means in practice is I'll start with  chapter 2 of  book 3 as a continuation of last events in book 2 and insert Chapter 1 and/or a prologue later when I have a grip on the new characters I develop to  populate book 3.

Next the storyline itself  - next post that is.



'ooroo