Showing posts with label style analysis. Show all posts
Showing posts with label style analysis. Show all posts

Thursday, May 15, 2025

Off his Face

day gentle reader, 

Finally, the dread rewrite of Book 2: The Face of the Goddess  is done … well almost, now it needs a good edit. That's the trouble with a rewrite - it’s really a new draft, the 4th for this book.  As posted earlier, the cumulative word cut I did at the start left me lost for words: 60,000 of them. The rewrite added a few words, quite a few, but not enough, which in and of itself created more problems. 

Face took 10 years to write 2001 (2000-2010), during which the original start slipped to chapter 29.  Chapters 1-28 were the first, deepest cut. The new starting point is the old starting point, with a major rework of the new chapter 1. From there story proceeds as a reader might expect towards the climax predicted in the opening, except it now reaches that point too soon, and leaves the novel too short for a good read. 

 As also mooted in my last post I had the rethink I had to have. 

The ending had to change, so I gave the original climax a twist. (much like killing a hero expected to live.) I had to rewrite everything after that, and make a couple of tweaks leading into it, which made the rewrite longer, (over the allocated year) The extended finale allowed me to further clarify aspects of my imagined world, and set the storyline up for what I know is coming in the already written Book 3: The Arch of Restoration. The new climatic ending brought Face back over 180,000, in line with Break and Arch. 

All good so far? Well no. This rewrite, 25-15 years, and a couple of million words after the first draft amply demonstrate, I write differently now, (better I believe :>) But that concerns me. Given today's preoccupation with AI, some might attribute style differences to artificial enhancements.

I'm now in a quandary whether to edit Bk 2 Face or Bk 3 Arch. I’m tempted to move on to the final book, (which means I will), however the wholesale changes to the storyline made after the original climax, may turn what should have been a simple edit, into another massive rewrite.

 I’m about to find out.

ooroo until my next post, Rob

PS - I often question why I want to write (which is easy), because to get published  the edit/rewrite process (which is hard) is unavoidable, and reminds me of this quote.

"If you want to write fiction, the best thing you can do is take two aspirins, lie down in a dark room, and wait for the feeling to pass." ~ Lawrence Block

 

 

 

    

 


Sunday, November 29, 2020

Writing Aids & Awards

g'day gentle reader

The result of all my wailing and gnashing of teeth over writing programs is I decided to buy Scrivener, to organise big projects like my 600,000 word trilogy and an anthology of my Writers of the Future awards,

speaking of which, 2020 was another good year for me.  4 submissions to WotF returned 2 Honourable Mentions and a Silver Honourable Mention. 3/4 ain't bad. Ain't good either. Only 1st 2nd or 3rd count.  I did the same only better in 2018. 3/4 and one was a Semi-Finalist.

The awards however are asymmetric. The Table shows awards given for the Quarter.  My Silver HM Qtr.4 was equal 134th. if it had been in Qtr.3 it would have been equal 67th. Conversely my HM ranked better for being in Qtr.3 equal 330th, rather than Qtr.4 where it would've been equal 458th. As the contest grows the competition get stiffer, I am happy to still be winning awards, I must be improving.  

I also decided to buy ProWritingAid (Black Friday sale) for checking grammar and style and everything else chapter by chapter since with anything more than a chapter the incredibly detailed checks it does will slow you down. For example: Part 1 of Book 1 in the trilogy (90,000 words) took 9 mins and gave me 1473 errors and I accidentally hit the [Realtime] button instead of the an [issues] button. It restarted and wasted another 9 mins. And if you don't correct (or ignore?) the errors then save, it restarts next time you open.  

The error count was a lot bigger first time around but I had corrected the spelling issues, (again almost exclusively my Character Names) and saves the story 

The firsts lesson: don't open a whole book in PWA, do a chapter at time.

These comments subject to change without notice, I'm on a steep learning curve.    

I practiced with a couple of paragraphs (326 words) from my next sub to WotF, fixed all the issues and then sent it back to gold fashioned,  to format ready to submit. Word found a grammatical error PWA  missed.

ooroo





Monday, November 16, 2020

The GRim error count ... continued

g'day gentle reader  

as promised  ProWritingAid's five remaining errors turned out to be ordinary boring abbreviations of a space opera kind:  comms (2) for communications , 1 each of  techos (1) and unsuit (1).  ProWritingAid informed me there were 'no such words'.  The fifth and last error was  a preference for air-con rather than aircon (1). PWR also had a couple of

style suggestions 

hot water spigot: can you use a stronger adjective than hot  (boiling scalding scorching) This was a simple case of misconstruction, which hot-water spigot solved. 

and a couple of rubbery eggs ...  readability may be enhanced by and two rubbery eggs. It may, but it will also loose the comic flavour - I left that one alone beside Australian usage (er - mine) does not necessarily mean exactly two.   (give it a couple of days, she'll be right = 2 at least days.) 

hadn’t damaged anything  to had damaged nothing  readability again (  more positive - accepted) 

[ "Both were crammed" into her life pod ] passive verbs make your writing less direct. Good advice but the suggestions were nonsensical in the context  [ "I/we/they crammed both" into her life pod ] they are already there.

like Word, PWA wants to convert all We'll have to to We must,  but must is not always appropriate it depends on the context. Sometimes what is mean is We aught to. 

I loved this one 

the electrics are shotas one character says to the other meaning the electrical circuits no longer function.  PWA said they/I/we/it shoot/s the electrics Seriously? 

Of course the program was objecting to the passive verb "are" It pays to keep in mind, ProWritingAid et al are sets of algorithms, perhaps a bit more sophisticated than most but still just programs.   

And it seems to me the program does not yet have a handle on dialog. 

ooroo